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Emma Connaire

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  • Mama, How Did You Meet the Beatles? (2024)
  • Biopsee (2024)
  • Big Butt Girls and Other Fantasies, the Remix (2024)
  • On the Verge (2023)
  • Where There’s a Will There’s A Play (2023)
  • Medea (2023)
  • Macbeth (2022)
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Medea (2023)

Buffalo State University

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Design Concept

My goal for Medea was to punctuate important moments with the absence of sound. I did so by incorporating a pulsing sound right before the continuous atmospheric sound faded out. This required an understanding of the text and what needed to be highlighted. I learned to align the soundscape with the words being spoken and by doing so, shaped the tone of the text.

Technical Challenge

I had a sneaky hidden speaker behind a wall of the set, as I had some sound effects and voiceovers that I wanted to seem like they were coming from inside a house. I struggled to make this work, and eventually realized that I needed to angle the speaker up and over the wall, so that sound wasn’t fighting to get through wood and wouldn’t bounce back and come across muffled and dead. I also sent a teensy bit of audio into my main left and main right speakers during these moments to keep the sound clear, without sacrificing the directional effect that I had created. This ended up working out extremely well.

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